HATTIE McDANIEL and DANIEL T. O'SHEA The year the famous actress won her Academy Award for Selznick's Gone With the Wind, the first Black American to win an Oscar signs an agreement to work for Selznick International Pictures in 1940 with options through 1946. Partly Printed Contract signed: "Hattie McDaniel", 22p, 8½x11. Culver City, California, 1939 December 30. Countersigned: "Daniel T. O'Shea" as Producer. In part: "Subject: Producer employs Artist to render her services exclusively to Producer as an actress, performer, or entertainer in motion picture photoplays, television, and to make radiobroadcasts and personal appearances when, where and as requested by Producer. Term: From: January 1, 1940 (20 week guarantee) To: June 30, 1940. Compensation: $500.00 per week (20 week guarantee)…." Eight options after the principal six month period ends are listed, raising McDaniel's salary to $550 per week to the end of 1940 with consecutive annual raises which would reach $1500 per week if she worked for Selznick through 1946.

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

ANNIE OAKLEY Check signed with her married name, Annie Butler, filled out by her to her grand-daughter (by adoption), with an additional note in Annie's hand on verso. Check signed: "Annie Butler", 6½x2¾. Newark, New Jersey, 1923 June 15. Check #135, drawn on the Newark & Essex Banking Co. payable to Elizabeth Hall for $50. Endorsed ""Elizabeth Hall". Handwritten note in Oakley's hand on verso: "Board to F. E. Butlers Grand Daughter. 22 Weikel Ave. Merchantville, N. J. Known as Niece". Annie Oakley (1860-1926, born Phoebe Anne Moses in Darke County, Ohio), was born to a Quaker family and began to shoot rabbits and quail at age nine. Within five years, she was a breadwinner for her family as a markswoman, and, at age 15, she saved her family's farm with income she had earned from shooting game. On August 23, 1876, at age 16, Annie married Frank Butler, a vaudeville performer who became her partner. Annie's self-effacing personality (on and off stage) made her a popular performer.

GONE WITH THE WIND: THOMAS MITCHELL In the best year of his career, Mitchell is loaned out to play Scarlett's father. Document signed: "Daniel T. O'Shea" on behalf of Selznick International Pictures, 3p, 8½x11. Also signed by a Vice President of Columbia Pictures (name illegible). Hollywood, California, 1939 January 26. Loan-out agreement by which Columbia Pictures loans to Selznick International Pictures the services of Thomas Mitchell - currently working on Columbia's film Plane No. 4 to portray "Gerald O'Hara" in the feature film, Gone with the Wind. Lightly toned. Paperclip impression in upper left. Staple holes in two pages. Otherwise, fine condition. Accompanied by unsigned photo of Thomas Mitchell (b/w, 8x10). Minor surface flaw in lower left corner. Otherwise, fine condition. In 1939, the epic film, Gone With The Wind, based on Margaret Mitchell's 1936 novel of the same name, broke box office records and won ten Oscars (against stiff competition). The saga of the old South remains one of the most beloved films of all time. Thomas

ANNIE OAKLEY Her rare, handwritten letter to family members, discussing her health and family finances. signed as "Missie." ALS: "Affect Missie/xxx/xxx", 2¼ pages, 6x9½. Cambridge, Maryland, no year October 11. On letterhead of The Dixon to "Dear Fern And Sister". In full, with original spelling and grammar: "Yours rec. Jimmie is here with me. Will forclose the Mortgage on the Mag[illegible] farm. Will turn it all over to Calvin Harrington for I am to much in to bother & I would love to have A Lawyer to make out the necessary papers so I will just turn it all over to him. But I will stay here & rest for A while. We have hot & cold water, plenty clean linen & food not bad here. Want to visit the Andrews before leaving. Jimmie brought my breakfast up this morning my heart is bad, but I will rest more after he goes south, And maby he will also. She has climbed the stairs 10 times to day & it is 11 Am now. He loves you. Bonnie, Irene, and Bessie, far more then his own flesh & blood, and would do more for either of you, of this I am sure.

W. C. FIELDS Agreement with the J. Walter Thompson advertising firm setting strict rules for Fields' script for a radio broadcast, co-signed by producer and ad executive Norman Blackburn Document signed: "W. C. Fields", "Norman Blackburn", 1 page, 8¾x14. Hollywood, California, 1946 March 13. Agreement with the J. Walter Thompson advertising agency, acting as agent for Standard Brands, Inc., governing Fields' forthcoming appearance on the Chase and Sanborn radio program, March 24, 1946. The agreement stipulates that Fields must adhere strictly to a script approved in advance by the firm and by Fields himself, and that Fields shall not "improvise, extemporize or use unapproved material." It further stipulates that Fields shall be held blameless from any claims for "slander, libel, copyright infringement, etc." arising from the program. Fields is to receive $3,500 for his performance. W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace.

W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen.

WILLIAM F. CODY ("BUFFALO BILL") Signed photo and photo mount both as W.F. Cody and Buffalo Bill. Photograph Mount inscribed and signed: "W.F. Cody/'Buffalo Bill'/To Ormsby Trench/1903". B/w, 7x9 overall, image 3¾x5½ (two surfaces). Photo by Marceau Studios, 258 Fifth Avenue, New York. William Frederick Cody earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody's theatrical career was launched in 1872 with re-enactments of Indian battles. By 1883, he formed his first Wild West spectacle, becoming a master showman. Vintage mount is lightly foxed, soiled and slightly stained with some wear at edges. Photo is lightly soiled and slightly foxed. Signature and inscription in fine condition.

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.