EXTREMELY RARE BRUCE LEE SIGNED ESSAY. INCLUDES 180 WORDS IN HIS OWN HAND! AMONG EARLIEST KNOWN WRITING EXAMPLES. Autograph Manuscript signed: "Bruce Lee", blue ink, 2p (front and back), 6½x8. Headed: "Dictation", circa late 1950's. This essay appears to be an English dictation exercise, likely written during Lee's time (1956-1959) at St. Francis Xavier College in Kowloon, Hong Kong. Found throughout are Lee's own handwritten corrections to grammar or spelling showing is dedication to proper language use. Writing reflects Lee's famous flowing signature and graceful writing style. Uneven tearing to left-side edge, with minor creasing throughout; light markings present at upper left corner, not affecting text. Overall, fine condition. Accompanied by Beckett letter of Authenticity. In part: "The history of aviation is full of adventures, and their happy outcome has proved how great is man's ability to brave the dangers which confront him. Not long ago an aviator, while flying over a part of Africa, met with engine trouble at a time when visibility was poor, and was compelled to descend in an swamp at the edge of a large lake. His machine turned upside down and became deeply embedded in the mud.…"

Signed move still from the move Bullitt. Photograph inscribed and signed: "To/Kevin/Best Wishes/Steve McQueen". B/w, 8x10. Still from the 1968 film, Bullitt. Steve McQueen (1930-1980) played a police detective in the film, portraying him in the stunt-driving role typical of his anti-hero image. McQueen had his first starring film role in The Blob (1958), the same year he began a three-year run as a moody bounty hunter in TV's Wanted: Dead or Alive. McQueen was nominated for the Best Actor Academy Award for The Sand Pebbles (1966). Among his many other movie hits were The Magnificent Seven (1960), The Great Escape (1963), The Cincinnati Kid (1965) and Papillon (1973). He was married to actress Ali MacGraw from 1973-1977. Writing light but legible. Fine condition. Framed to an overall size of 15½ x 23¼. Frame exhibits wearing at corners.

Partly printed DS: "Humphrey Bogart," 1p, 8-3/8x11. No place, 1949 March 3. To the News Syndicate Co., Inc., 220 East 42nd Street, New York (Daily News building). A printed "Release Form" letter. In full: "In consideration of the publicity to be given to me and which may arise herefrom, my consent is hereby irrevocably given to you, your assignees and licensees, and to the Chicago Tribune-New York News Syndicate, Inc., and its subscribers and licensees, to use my name, picture, or portrait, in publications for editorial or promotional purposes, excluding, however, commercial advertising." Bogart's films include High Sierra, The Maltese Falcon, Casablanca, The Treasure of the Sierra Madre, Key Largo, and The African Queen for which he was awarded the 1951 Academy Award for Best Actor. Fold at lower left blank corner, small (nail-head size) stain at lower right blank corner, else fine.

Pantaloons owned by Jean Harlow which were given to her as a joke from Clark Gable. White pantaloons with a large "JH" embroidered in red at the top and lace trim at the legs. Small piece of embroidery missing from the lower right of the "H". These pantaloons, originally obtained from Jean Harlow's agent, Arthur Landau, were given to JEAN HARLOW (1911-1937) by Clark Gable, her co-star in five films, as a joke. The blonde bombshell, who was known for her sizzling on-screen performances and sexy styles, fell in love with the pantaloons and wore them on many occasions, including at a Halloween party, to which she had come dressed as a saloon girl. Includes PROVENANCE: (1) Partly Printed ALS: "Richard Wilson", 1p, 8½ x 11. Chevy Chase, MD, 1999 July 14.  Printed at right: "Celebrity/Memorabilia/Norma's Jeans/Buy-Sell, Collect,/Appraise, Search". In full: (typed) "To Whom It May Concern:" (handwritten) "Jean Harlow pantaloons, white with lace and decoration at legs and large 'JH' embroidered at top. Given to her as a prank by Clark Gable. Originally obtained from Jean's agent Arthur Landau by Sally Cramier's mother, later obtained from Sally by Norma's Jeans.…"

George Burns' smoking jacket, size Medium, style 0783. Red and black silk with black pinstriped belt. Label, 2¾ inches by ¾ inches, of fashion designer Fernando Sanchez sewn in. George Burns  was a well-known cigar smoker. In 1994, Arthur Marx, son of Groucho, interviewed Burns for "Cigar Aficionado Magazine" and asked him why he started smoking cigars. Burns' answer: "I smoked them because I wanted people to think I was doing well. When they saw me walking down the street smoking a cigar, they'd say, 'hey, that 14-year-old kid must be going places.' Of course, it's also a good prop on the stage. That's why so many performers, including your father, use them. When you can't think of what you are supposed to say next, you take a puff on your cigar until you do think of your next line…If I'd taken my doctor's advice and quit smoking when he advised me to, I wouldn't have lived to go to his funeral." Burns died in 1996 at age 100. Fine condition.

11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare.

Original self-caricatures drawn by these legendary comedians. Collection comprised of 7 pieces of signed original artwork that includes: 1.) Original Artwork signed “George/Jessel”. 5x7. Fine condition. George Jessel (1898-1981, born in New York City), who became known as the "Toastmaster General of the United States" for his frequent role as Master of Ceremonies at entertainment and political gatherings, appeared in vaudeville (he was a partner of Eddie Cantor at age 11) and on Broadway before having a radio show, That's My Kid. 2.) Original Artwork signed “M. Kahn”. 5½ x 9. 2 horizontal creases, otherwise fine condition. Operatically trained, Madeline Kahn (1942-1999) achieved her greatest successes in manic comedy roles, earning Best Supporting Actress nominations for Paper Moon (1973) and Blazing Saddles (1974). She garnered a Golden Globe nomination for her short-lived TV sitcom, Oh, Madeline! (1983) and won a Tony for her performance in The Sisters Rosenzweig (1992). 3.) Original Artwork signed “BETTE”. 5¼ x 8¼. Fine condition. Midler is a Grammy and Emmy Award-winning singer, and stage and film actress known for her vibrant personality on and offstage.

The first black actress to win an Academy Award is shown standing in a living room and wearing a fur coat in this sepia photograph, signed in blue felt tip. Inscribed Photograph Signed: "Best Wishes/Always To/Miriam Hutchinson/From/Hattie McDaniel/9-3-46" in blue felt tip. Sepia, 8x10. Hattie McDaniel (1895-1952) was the first Black actress to win an Academy Award, capturing the Best Supporting Actress Oscar in 1939 for her role of Mammy in Gone With the Wind. McDaniel had a strong film resume even before Gone With the Wind, especially in light of the limited opportunities for black actors in that era, beginning with small roles in films like Mae West's I'm No Angel (1934) and Shirley Temple's The Little Colonel (1935), working up to major roles in Saratoga (1937) and The Shopworn Angel (1938). She was also the first Black woman to sing on American radio, and after many performances on such radio programs as Amos 'n Andy and the Eddie Cantor Show, she starred in the title role of Beulah on the radio. Because of other commitments, she appeared in only six 1952 episodes of the television version, which ran from 1950-1953. Autographs of McDaniel are scarce and desirable. Minor crease at lower right background. Lightly soiled at right background, edges slightly worn.

Collection of ten items from the production of this 1949 film, the true story of a great baseball comeback. Included are the original contract signed by Monty Stratton; his pass to the MGM studios; a baseball signed by 15 cast and crew members; a signed baseball card showing the White Sox pitcher; photos and lobby cards signed by stars James Stewart and June Allyson; a DVD of the movie; a release form signed by Hall of Fame catcher Bill Dickey allowing use of  his photo stills from this film; and a souvenir album inscribed by cast and crew to Monty's son Dennis! Collection comprised of: 1) Contract signed: "Monty Stratton", 25 pages, 9x13½. Culver City, California, 1948 February 26. Agreement between Monty Stratton ("the artist") and Loew's, Incorporated ("the producer"), acquiring Stratton's services as "technical adviser, director, coach, and/or technical writing assistant" at the discretion of the producer. Also signed by a Loew's Vice President (name illegible). He may also be used as an actor, and shall make personal appearances for film promotion. Stratton is to be paid $500 per week for the length of the contract, one year beginning on the signing date. Interestingly, the contract never mentions The Stratton Story.

The Chief Projectionist's personal copy of the complete original movie script, signed by 32 other members of the cast and crew, presented in a custom 34½ x 37¼ display box. Original Movie Script signed. Typed on the cover at the upper left corner: "FOR USE OF CHIEF PROJECTIONIST", signed: "George Cukor" (Director), "David O. Selznick" (Producer), "W.C. Fields" (Micawber), "Lionel Barrymore" (Dan Peggotty), "Freddie Bartholomew" (Copperfield as a boy), "Frank Lawton" (Copperfield as a man), "Basil Rathbone" (Mr. Murdstone), "Maureen O'Sullivan" (Dora), "Edna May Oliver" (Aunt Betsey), "Roland Young" (Uriah Heep), "Fay Chaldecott/Little Emily" (Little Emily as a child), "Madge Evans" (Agnes), "Elizabeth Allen/(Mrs. Copperfield)", "Marilyn Knowlden/(Little Agnes)" (Agnes as a child), "Harry Beresford/Dr. Chillip", "Una O'Connor" (Mrs.

Photo of a large crowd taken outside at a 1927 MGM convention, signed by 27 MGM stars, including Joan Crawford, Greta Garbo, Norma Shearer, Jackie Coogan and Lon Chaney, Sr. Important Historical Photograph signed: "Greta Garbo", "Lon Chaney", "Norma Shearer", "Joan Crawford", "Conrad Nagel", "Dolores Del Rio", "Johnny Mack Brown", "Jackie Coogan", "Billy Haines", "Eileen Percy", "Claire Windsor", "Tom O'Brien", "Tim McCoy", "Louise Lorraine", "George K. Archer", "E.M. Saunders", "Dorothy Sebastian", "Roy D'Arcy", "Harry Carey", "Sally O'Neil", "Helene Chadwick", "Bert Woodruff", "Karl Dane", "Gwen Lee", "Tom Connors" and "Frank Currier". Sepia, 10x8½. Lightly soiled at blank margins. Mounting remnants on verso (no show-through). Fine condition. Accompanied by a 6x8original printed menu, unsigned. Fine condition.

Inscribed and signed photo of the film pioneering showing off photographs of the Lumière brothers and some early pieces of movie equipment. Photograph inscribed and signed: "To Mr. Marx Reimers/From/Francis Doublier/1894./Motion Picture Pioneer/April 20th 1941/Fort Lee, N.J." B/w, 7¼ x 9½. Doublier, who is surrounded by relics from the early days of motion pictures, has also initialed: "F.D." under a description of several pieces of equipment. In full: "Camera, printer,/projector used/in 1895 to 1900". He has also identified two photographs displayed around him: "Louis Lumière" and "Auguste and Louis Lumière". FRANCIS DOUBLIER (1878-1948), the first to see moving pictures projected onto a wall, signed and dated this photograph while Vice President of Major Film Laboratories, Inc. of New York. His photographic career began in 1894, when the 16-year-old became associated with brothers AUGUSTE MARIE NICOLAS LUMIÈRE (1862-1954) and LOUIS JEAN LUMIÈRE (1864-1948) and their experimentation with motion picture photography.