W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

ANNIE OAKLEY Extremely rare signed postcard photo of her dressed as an Indian! Postcard Photograph inscribed and signed: "Annie Oakley as a Sioux/Maiden admires her/new head gear./A Merry Christmas/to Laforrds & Family". Sepia, 5½x3½. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman. In 1876, at age 16, she married Frank Butler, a vaudeville performer who became her partner. Annie's self-effacing personality (on and off stage) made her a popular performer. In 1885, the Butlers joined Buffalo Bill Cody's Wild West Show. Annie, a star with the show for 17 years, charmed Kings and Queens. The five-foot-tall Oakley got her name "Little Sure Shot" from Lakota Sioux Chief Sitting Bull, who was briefly a part of the show in 1885, and used it in her promotional materials.In 1901, she was severely injured in a railroad wreck that temporarily paralyzed her.

ANNIE OAKLEY Pictured on top of her show horse, the famed dead-eye shoots a bullet straight through the heart on this 1919 signed exhibition card. Exhibition cards, as such, where Oakley hit her mark dead center were given away to the sharp-shooter's lucky fans. Accompanied by an unsigned publicity photo with Oakley posing with her rifle. Extremely Rare! Photograph Signed: "Annie Oakley/June19--1919", 4½x2 card. Accompanied by a 4¼x6 sepia photo of the markswoman holding her rifle, standing on the fabric of a teepee. The "sure shot" used exhibition cards to demonstrate her shooting prowess by taking aim from 30 paces away and splitting the card dead center. This particular card, pierced with a .22 caliber bullet through its printed black heart, is nothing short of a perfect example of Oakley's unrivaled skill and precision. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman.

AFTER A CONTRACT BATTLE, VALENTINO ASSIGNS HIS EARNINGS TO HIS WIFE   RUDOLPH VALENTINO. Typed DS: "Rudolph Valentino", 1p, 8x10½. No place, 1924 January 30. On his personal letterhead in letter form to Famous Players-Lasky Corp., New York City. Begins: "Gentlemen". In full: "In consideration of the advance to me by my wife, Natalie Guglielmi, I desire to assign, and do hereby assign to said Natalie Guglielmi any earnings which may accrue to me under the contract entered into and signed by myself on January 15th, 1924. Any salary due me is to be made payable to my wife, Natalie Guglielmi." Also signed: "John J. Barry" as Notary Public. Romantic film leading man Rudolph Valentino (1895-1926), born Rodolpho Alphonso Raffaelo Pierre Filibert Guglielmi di Valentina d'Antonguolla, signed this request in 1924 for the Famous Players-Lasky Corporation (later Paramount) to remit his earnings to his wife, former actress Natasha Rambova. At this time, Valentino was filming Monsieur Beaucaire, his first film after settling his 1922 contract dispute with Jesse Lasky.

HATTIE McDANIEL and DANIEL T. O'SHEA The year the famous actress won her Academy Award for Selznick's Gone With the Wind, the first Black American to win an Oscar signs an agreement to work for Selznick International Pictures in 1940 with options through 1946. Partly Printed Contract signed: "Hattie McDaniel", 22p, 8½x11. Culver City, California, 1939 December 30. Countersigned: "Daniel T. O'Shea" as Producer. In part: "Subject: Producer employs Artist to render her services exclusively to Producer as an actress, performer, or entertainer in motion picture photoplays, television, and to make radiobroadcasts and personal appearances when, where and as requested by Producer. Term: From: January 1, 1940 (20 week guarantee) To: June 30, 1940. Compensation: $500.00 per week (20 week guarantee)…." Eight options after the principal six month period ends are listed, raising McDaniel's salary to $550 per week to the end of 1940 with consecutive annual raises which would reach $1500 per week if she worked for Selznick through 1946.

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T.

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation.

WILLIAM F. CODY The famous Wild West showman pens a hopeful letter to his friend, stating "New England was never big for me. But wait till we start west. I predict a big season." The letter was written during the downfall of Cody's show empire due to outside expenses draining the immense profits from his show Autograph letter signed: "Col.", 1 page, 8½x11 framed to an overall size of 25½x18½. Buffalo Bill's Wild West combined with Pawnee Bill's Great Far East. May 29, 1911. Portsmouth, [New Hampshire]. In full: "Dear Mayor Glad Light, Your letter which found me is fine health. We had two bad towns last week. Fitchburg & Newburyport. No one ever done business in either. The week hurt us at least $2000 in Lowell-sent your bank 5100 today to take up one of my notes. Been getting good deposits from the mines. Been getting in shape [illegible] or any one. I believe I'll walk a sale of the [illegible]. Note if good are doing. [illegible]. While I telegraph you for now we are all OK here-now. And barring accident we will be OK. New England was never big for me. But wait till we start west. I predict a big season.