W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies read more...

W. C. FIELDS Agreement with the J. Walter Thompson advertising firm setting strict rules for Fields' script for a radio broadcast, co-signed by producer and ad executive Norman Blackburn Document signed: "W. C. Fields", "Norman Blackburn", 1 page, 8¾x14. Hollywood, California, 1946 March 13. Agreement with the J. Walter Thompson advertising agency, acting as agent for Standard Brands, Inc., governing Fields' forthcoming appearance on the Chase and Sanborn radio program, March 24, 1946. The agreement stipulates that Fields must adhere strictly to a script approved in advance by the firm and by Fields himself, and that Fields shall not "improvise, extemporize or use unapproved material." It further stipulates that Fields shall be held blameless from any claims for "slander, libel, copyright infringement, etc." arising from the program. Fields is to receive $3,500 for his performance. W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. read more...

W. C. FIELDS Three-page autograph letter to his mistress Carlotta Monti, signed by Fields as "Continental Claude", calling Hitler "full of mierda" and confiding, "like the three monkeys I see nothing, know nothing, and won't drink anything 'cept Beer." Autograph Letter signed: "Continental Claude", 3 pages, 8½x11. Bel Air, Labor Day. To "Katrinka & Claudia". ["Katrinka" was Fields' pet name for Carlotta Monti.] In full: "I suppose you are wondering why you have not received your packard as yet. And telling your friends I am not a man of my word. Give me time and I can explain anything. Practically all nations will be in the war by the time this missive arrives. But you, unfortunately for yourself contended the whole world would be at war. It was then I accepted your wager 'I'll bet you the whole world will be at war by 1940. If not you give me a packard.' It was a bet made in all fairness. I forget what I was to receive had you lost. However all is fair in something or other and war. I will pay off if it becomes real serious. I firmly believe it will be of short duration, in which case you will receive a small packard. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation. read more...

ANNIE OAKLEY Pictured on top of her show horse, the famed dead-eye shoots a bullet straight through the heart on this 1919 signed exhibition card. Exhibition cards, as such, where Oakley hit her mark dead center were given away to the sharp-shooter's lucky fans. Accompanied by an unsigned publicity photo with Oakley posing with her rifle. Extremely Rare! Photograph Signed: "Annie Oakley/June19--1919", 4½x2 card. Accompanied by a 4¼x6 sepia photo of the markswoman holding her rifle, standing on the fabric of a teepee. The "sure shot" used exhibition cards to demonstrate her shooting prowess by taking aim from 30 paces away and splitting the card dead center. This particular card, pierced with a .22 caliber bullet through its printed black heart, is nothing short of a perfect example of Oakley's unrivaled skill and precision. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman. read more...

GONE WITH THE WIND: THOMAS MITCHELL In the best year of his career, Mitchell is loaned out to play Scarlett's father. Document signed: "Daniel T. O'Shea" on behalf of Selznick International Pictures, 3p, 8½x11. Also signed by a Vice President of Columbia Pictures (name illegible). Hollywood, California, 1939 January 26. Loan-out agreement by which Columbia Pictures loans to Selznick International Pictures the services of Thomas Mitchell - currently working on Columbia's film Plane No. 4 to portray "Gerald O'Hara" in the feature film, Gone with the Wind. Lightly toned. Paperclip impression in upper left. Staple holes in two pages. Otherwise, fine condition. Accompanied by unsigned photo of Thomas Mitchell (b/w, 8x10). Minor surface flaw in lower left corner. Otherwise, fine condition. In 1939, the epic film, Gone With The Wind, based on Margaret Mitchell's 1936 novel of the same name, broke box office records and won ten Oscars (against stiff competition). The saga of the old South remains one of the most beloved films of all time. Thomas Mitchell read more...

JOHN WAYNE Cavalry gloves he wore in The Horse Soldiers Ephemera Unsigned. Leather, US Cavalry-style riding gloves worn by Wayne in the dramatic Civil War film, The Horse Soldiers (1959). Inside the left-hand glove is a sewn M-G-M label with John Wayne's name typed on it. John Wayne (1907-1979) is considered one of the greatest actors of all time, most famous for his many Western film roles. He made his debut in the 1926 silent film Brown of Harvard in an uncredited role. His first lead role came just four years later in Raoul Walsh's The Big Trail (1930), where Wayne portrays a trapper who is part of a settlement group travelling along the Oregon Trail. This role did not lead to stardom, but he continued to appear in B-movies throughout the 1930s. John Ford's 1939 film Stagecoach is the film that rocketed the actor to fame. Wayne's films tend to be either Westerns or military-themed. His most famous Westerns, including The Searchers (1956), Red River (1948), Rio Bravo (1959), and True Grit (1969), helped define the genre. As he grew more read more...

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. read more...

ROOSTER COGBURN MOVIE CAST: JOHN "DUKE" WAYNE and KATHARINE HEPBURN Signed black and white publicity photograph for the 1975 western Rooster Cogburn featuring the two actors in costume Inscribed photograph signed "Bob/It's been great/Duke" and "Bob Nelson/gratefully/Katharine Hepburn". B/w, 8x10 overall, 7½x9½ image, one surface. "Bob Nelson" was a set decorator for the film. Rooster Cogburn - the sequel to the 1969 Wayne movie True Grit - was the first and last film Wayne and Katharine Hepburn appeared in a movie together. In 1975's Rooster Cogburn, Wayne reprised his Oscar-winning role as the drunken, hellraising marshal Rooster Cogburn from 1969's True Grit. Wayne co-starred with Katharine Hepburn, who played the daughter of a murdered minister and who insists on following Wayne as he hunts his killer. This movie was the first and last time Wayne and Katharine Hepburn appeared in a movie together. read more...