"BUFFALO BILL" CODY Handwritten letter to former rival - now partner - Pawnee Bill Lillie -  outlining plans for a California tour of their wild west show. "And if all goes well we could clean up a wagon load of money." Autograph Letter signed: "Col.", 1 page, 8½x11. Saco, Maine, May 30 (circa 1908). On letterhead of Buffalo Bill's Wild West and Pawnee Bill's Far East to "Dear Major" [William Lillie]. In full: "The reason I would not sign up with Craft. They went back on the Contract they had Bacon draw and sent two of their own fixing. You see by the route of Sells Floto that they are playing all of the Country west of the Rockies and North West. And I think we should do it. I think the summer of the Great Panama Fair at San Francisco we could show all that Country. In the Spring three shows. San Francisco July, Aug. Sep. Then Southern Cal. Oct. And if all goes well we could clean up a wagon load of money." William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. read more...

JOHN WAYNE The last cowboy hat he wore on the screen Ephemera unsigned. Tan American Eagle Outfitters "Resistol 'Self-Comforting" cowboy hat, approximately 7½-size. Heavy string hatband with tassels. Stagecoach label embossed on inside band. After completing his last film, The Shootist (1976), Wayne shot a series of commercials for the Great Western Bank of California, filmed in Grants Pass, Oregon. He wore this hat in those commercials, his last work in cowboy apparel. All-American action hero John "Duke" Wayne appeared in over 250 films, primarily in war movies and Westerns. Although he had appeared in 80 low-budget films, Wayne did not become a star until 1939, when he appeared as the Ringo Kid in John Ford's Stagecoach. Near the end of his forty-year career, Wayne was honored with his first Best Actor Academy Award for his portrayal of hard-drinking, one-eyed Marshal Rooster Cogburn in 1969's True Grit. Accompanied by authenticating letter from the L.A. Prop and Wardrobe Company. Minor staining on the left crown and right brim. Otherwise, fine condition. read more...

RUDOLPH VALENTINO The foremost sex symbol of the 1920s pens a letter to a fan to express his admiration for a story told by her, signed in green ink Autograph Letter Signed: “Rudolph Valentino” in green ink. 7¼x10½. One page. Written on personal letterhead. In full: “Dear Mrs. Lindsay, Please permit me to express my appreciation of your splendid story in Monday's 'Express'. In looking forward to review our acquaintance at an early date permit me to present you my kindest regards”. Rudolph Valentino (1895-1926) was the great romantic screen idol of the 1920s, the epitome of the "Latin lover." The Four Horsemen of the Apocalypse had opened on March 5, 1921, followed by Uncharted Seas on April 21, 1921, and The Conquering Power on July 8, 1921. Camille opened on September 11, 1921 and The Sheik opened on October 30, 1921. He was a very busy actor in 1921. read more...

WILLIAM F. 'BUFFALO BILL' CODY The man known for his showmanship and scouting skills signed this handwritten letter concerning his financial issues. Various close associates liquidate Cody's assets so that he can pay his creditors. Autograph Letter Signed: "W. C. Cody" one page both sides, 8.5 x 11, Chicago Shan-Kive and Round-Up letterhead. Dated September 18, 1916. Letter to his attorney Henry Hersey regarding his grim financial situation. In Part: “They can explain this situation to you better than I care for they have not kept me well footed. But if you do not hear from them, I'll write you all I know. First Link got judgement for about $11,800. And sold the Irma hotel and four lots and bid it in him self. I have until Jan. 15th 1917. In which to reclaim the property. There separately he sold the fixtures, paintings, etc - I furnished the money and had W.L. Walls bid them in for me. Then Link advertised and sold a hotel of mine called Pahaska Tepee. I furnished the money and had Walls bid that in for me.” read more...

JAMES CAGNEY Signed letter filled with recollections of playing George M. Cohan in Yankee Doodle Dandy, and of Cohan's reaction to the film. Cagney's account, brimming with colorful anecdotes, illuminates a landmark of film history. Typed Letter signed: "J. Cagney", 2 pages 7¼x10½. Verney Farm, Staffordville, New York, 1979 July 3. To "Dear Mr. McGilligan", in full: "In answer to your recent letter, all the information you mention regarding the Cohan contribution to 'Yankee Doodle Dandy' is quite accurate. There was never a script submitted to Mr. Cohan. He sent a friend out, who was a lawyer, to view the rough cut. My brother Bill escorted Mr. Raftery to a projection room, and sat him down in a big comfortable chair. Inasmuch as the script had not been submitted, my brother was full of misgivings, feeling the lawyer would step all over it. My brother was wrong. About twenty minutes into the film it really got to Mr. Raftery. As he sat on the other end of the room, my brother could feel the lounge vibrating as he realized Mr. Raftery was crying. Bill knew he was home free then. The other obstacle was in reference to Cohan's first wife, Ethel Levy. read more...

ANNIE OAKLEY Recovering slowly from an auto accident late in her life, she writes a 4-page letter to a female journalist, enthusiastically describing her move to North Carolina. Autograph Letter signed: "Annie Oakley Butler", 4 pages (integral leaf), 5½x6¾. Greensboro, North Carolina, October 10 (Pencil note in unknown hand dates it 1923.) Oakley has struck through the original letterhead of the O'Henry and written her new address in Greensboro. To "Dear Miss Tildesley", in full: "I was pleased to see the sweet letter. We left Cambridge just two weeks ago. And stopped off in Balto. to see Dr. Baer. He said there was an improvement in my foot though it had been very slow. But for me to fight on and he was sure I would win out in time. So we both feel incouraged. I can walk much better than when you seen me. We have just left the Hotel and taken A suite here. We have A pretty living room, furnished in wicker with pretty colors. A wicker table with plate glass top so we can make coffee. Tea. Toast. and even boil eggs if we like. A french door opens on A private varanda with pretty flowers. It faces the East. read more...

WILLIAM F. CODY: BUFFALO BILL 4¼x6½ cabinet card photo, signed both as W.F. Cody and as Buffalo Bill Cabinet Card Photograph signed: "W.F. Cody/'Buffalo Bill'". B/w, 4¼x6½. Superb portrait of William F. Cody with his desirable double signature. Photographer's imprint, "Gessford/238 Fifth Ave./N.Y.", at lower mount. William Frederick Cody (1846-1917) was a rider for the Pony Express in 1860, a scout for the Kansas Cavalry against the Indians (1863) and served in the U.S. Army in the Civil War (1863-1865). From 1867-1868, he furnished buffalo meat for the Union Pacific Railroad construction crews, earning his nickname, "Buffalo Bill". Cody was a scout for the 5th U.S. Cavalry from 1868-1872 and in 1876. From 1872-1883, he was on stage as an actor at first in E.Z.C. Judson's play, Scouts of the Plains. He organized Buffalo Bill's Wild West Show in 1883 and toured the United States and Europe successfully for over 30 years. Fine condition. read more...

MGM STARS: JOAN CRAWFORD, GRETA GARBO, NORMA SHEARER, JACKIE COOGAN, LON CHANEY, HARRY CAREY, SR., POLLY MORAN, AILEEN PRINGLE, EDMUND GOULDING, THELMA HILL, KARL DANE, SALLY O'NEIL, BILL HAINES, SIDNEY FRANKLIN, DOLORES DEL RIO, BERT WOODRUFF, AVONNE TAYLOR, LOUISE LORRAINE, DOROTHY SEBASTIAN, REGINALD BARKER, CONRAD NAGEL, GEORGE HILL, LEW CODY, 'SNORPY' HILL, FRED NIBLO, TIM MCCOY, EILEEN PERCY Photo of a large crowd taken outside at a 1927 MGM convention, signed by 27 MGM stars, including Joan Crawford, Greta Garbo, Norma Shearer, Jackie Coogan and Lon Chaney, Sr. Photograph signed "Aileen Pringle", "Thelma Hill", "Edmund Goulding", "Karl Dane", "Sally Oneil", "Bill Haines", "Best Wishes Sidney Franklin", "Dolores Del Rio", "Bert Woodruff", "Avonne Taylor", "Greta Garbo -", "Joan Crawford", "Louise Lorraine", "Lon Chaney", "Norma Shearer", "Dorothy Sebastian", "Jackie Coogan", "Reginald Barker", "Harry Carey, Sr. read more...

ANNIE OAKLEY Pictured on top of her show horse, the famed dead-eye shoots a bullet straight through the heart on this 1919 signed exhibition card. Exhibition cards, as such, where Oakley hit her mark dead center were given away to the sharp-shooter's lucky fans. Accompanied by an unsigned publicity photo with Oakley posing with her rifle. Extremely Rare! Photograph Signed: "Annie Oakley/June19--1919", 4½x2 card. Accompanied by a 4¼x6 sepia photo of the markswoman holding her rifle, standing on the fabric of a teepee. The "sure shot" used exhibition cards to demonstrate her shooting prowess by taking aim from 30 paces away and splitting the card dead center. This particular card, pierced with a .22 caliber bullet through its printed black heart, is nothing short of a perfect example of Oakley's unrivaled skill and precision. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman. read more...