HENRI TOULOUSE-LAUTRECHe signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

THE NOTED WESTERN ARTIST WRITES OF HONG KONG AND DRAWS TWO CARTOONS ILLUSTRATING WHERE THE BEST SCOTCH IN CHINA CAN BE FOUND FREDERIC REMINGTONThe noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted, not in the Gallery of History style, to 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off?

NORMAN ROCKWELL Limited edition set of seven lithographs based on Rockwell paintings used to illustrate Benjamin Franklin's Poor Richard's Almanack. Each 25½x19½ lithograph in the set has been signed in pencil by Rockwell and is numbered. Lithograph Set signed: "Norman Rockwell" in pencil. Set of seven color lithographs, each 25½x19½. Each one is numbered (111 of 200) and signed by the artist. Loose sheets of handmade Velin d'Arches paper. Pulled at Atelier Mourlot, Paris. The 7 lithographs, based on Rockwell's paintings for the Heritage Press edition of Poor Richard's Almanack (1964) are titled: "Benjamin Franklin's Philadelphia", "The Drunkard", "Ben's Belles", "The Village Smithy", "Ye Olde Print Shoppe", "The Golden Age" and "The Royal Crown". The set is laid into a gilt-stamped, brown cloth clamshell box. Noted American artist/illustrator Norman Rockwell (1894-1978) is best known for his realistic and humorous scenes of small town life in America. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life".

NORMAN ROCKWELLSaturday Evening Post illustrator Norman Rockwell drew an original blue ink picture of a dog on this typed letter, which he signed in 1970. Interestingly, this letter, on his personalized stationery, is an apology that he can't send the recipient a sketch or drawing! With original mailing envelope. Original art on typed letter signed "Norman/Rockwell" in blue ink. 1 page, 6x7¾, on Rockwell's personalized stationery. With 4¾x1½ blue ink drawing near bottom edge. March 10, 1970. In full: "Dear Lachie MacLachlan: Thank you for your letter and for all the nice things you said about my paintings. I am really sorry but I just don't have any sketches or drawings that I could send you, so I am returning your check. Again, than you for your interest in writing to me. Cordially,". Lightly toned and creased. Paper clip impressions near top and bottom edges, which touch drawing but not signature. Light ink smudges in body of letter. Rust stain near bottom edge. Lightly discolored on verso (no show-through). Folded in half and unfolded. Otherwise in fine condition.

CHESTER GOULDHe signs an original mechanical art for camera-ready set-up of a "Dick Tracy" comic strip published on Sunday, February 14, 1971 Original Art signed: "Chester/Gould," two 23x12½ sheets attached to form one 23x25 sheet. Original mechanical art for camera-ready set-up. "Dick Tracy" for Valentine's Day, Sunday, February 14, 1971. Tracy thinks he has cornered the Chameleon, one of the bizarre criminals created by Gould. In the "Crimestoppers Textbook" note at top right: "st. valentine's day massacre - seven gangsters gunned down in garage 42 years ago!"Chester Gould (1900-1985) introduced crime and violence into the comics with his creation of "Dick Tracy", the first non-humorous comic strip, which debuted in the "Detroit Mirror" on October 4, 1931. Gould drew the strip, which was praised for its realism, for 46 years, two months and 21 days before retiring on Christmas Day in 1977. Dick Tracy was a modern deductive investigator who cleverly for hunted clues, fingerprints and even footprints.

NORMAN ROCKWELLThis print of the artist's illustration "The Lobster Man" is signed by him in the bottom-right corner Lithograph Signed: "Norman Rockwell". Actual image 18x23. Color. "The Lobster Man". NORMAN ROCKWELL (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. Hepainted over 300 covers for the The Saturday Evening Post (1916-1965) after beginning his career at age 18 as an illustrator for Boy's Life. In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Eight-inch tear along back of frame in paper backing. Frame side panel on right side open from lack of adhesive. Thin side panels at all edges have detached (not effecting frame, signature or lithograph). Frame is thick wood and stable.

PIERRE AUGUSTE RENOIR Unsigned aquatint "Tourne à Gauche" portrait of Pierre Auguste Renoir's son, Claude Renoir, circa 1904. Aquatint, unsigned. B/w, 11x13¼ overall, image 9¾x12 (two surfaces). Aquatint "Tourne à Gauche" portrait of his son, Claude Renoir, circa 1904. Facsimile of Renoir's signature, produced by the same process, appears below the image. Pierre Auguste Renoir (1841-1919), a leader among the Impressionists, is best known for his landscapes and paintings of figures and flowers. Renoir, who also enjoyed painting his children, also painted Claude, the youngest of his three sons (born in 1901 when the artist was 60), at his easel (1907) and dressed in a clown costume (1909). Dry mounted. Edges slightly soiled. Mounting remnants on verso (no show through). Overall, fine condition. Mounted, not in Gallery of History style.Not reviewed by us for conservation integrity. "As is" mounting purchase.

ALFRED STIEGLITZSigned autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18.To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer.In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints.

CAMILLE PISSARROThe painter signs a richly detailed, 4-page handwritten letter to his wife Julie (1892), discussing business and family affairs, and expressing frustration at mail delays Autograph Letter signed: "C. Pissarro", 4 pages (front and verso), 4½x7. Eragny (France), 1892 December 27. To"My dear Julie". In French, translated in full: "One cannot rely on the punctuality of the mail these days; would you believe that your letter to Lise only arrived here yesterday, thus too late to be communicated in time; I hope that you were nevertheless on time at your aunt's. Something else even more extraordinary, I received yesterday the letter that you sent to Lucien on Saturday, the imbeciles at the Hotel who know my name, even though Lucien is staying with them, still sent the letter to me; I thought it would be useless to send it back because it would have come back to me, and besides it was too late. The 2 p.m. train just came by, nobody. Lucien wrote that he would perhaps miss it and would be on the 3:45. I enclose herewith a letter from Mrs. Mirbeau that must be answered.