1812 indenture renting land in Philadelphia owned by Mary Penn, signed by the prolific Peale family member as a witness. Extremely rare signature from the artist! Indenture signed "Rubens Peale" as a witness. Also signed by Mary Penn through her attorney "Thos. Cadwalader" in lower right corner. 2 pages, 21½x14¼ (front and verso). Aug. 1, 1812. This indenture rents an 11-acre-and-100-perches lot of land in Philadelphia to John Craige for eight silver dollars a year. In return, Craige had to erect a brick or stone house on the property worth at least $1,333.34 within two years. American artist Rubens Peale (1784-1865) was one of the children of artist-naturalist Charles Willson Peale. Born with poor eyesight, Peale wouldn't follow his siblings into an art career until much later in life. He became manager and then administrative proprietor of the Peale family's museum of art and science in Philadelphia and began his own museum in New York City in 1825. It was after his retirement from museum directing that Peale began painting, using still life painting as an extension of his interest in natural history. However, his painting career was short lived as he passed 10 years later in 1865, leaving most of his artwork and paintings extremely rare.

An original signed oil painting by the artist, titled "Three Soldiers on a Bike". Oil Painting on Canvas Signed: "Charles Bragg" in lower right. 19½ x 17½. Titled “Three Soldiers on a Bike”. Painter, sculptor, and author Charles Bragg (1931-2017) was a social satire artist. His art has been exhibited in museums and galleries, commissioned by Playboy, and documented in a PBS program. He won a Gold Medal from the National Society of Illustrators and an Award of Merit from the Art Directors Guild of New York. His publications include Charles Bragg on Medicine (1984), Charles Bragg: The Works! A Retrospective (1999), and Asylum Earth (2013). Fine condition. Framed to an overall size of 26¼ x 24¼.

Unsigned aquatint "Tourne à Gauche" portrait of Pierre Auguste Renoir's son, Claude Renoir, circa 1904. Aquatint, unsigned. B/w, 11x13¼ overall, image 9¾x12 (two surfaces). Aquatint "Tourne à Gauche" portrait of his son, Claude Renoir, circa 1904. Facsimile of Renoir's signature, produced by the same process, appears below the image. Pierre Auguste Renoir (1841-1919), a leader among the Impressionists, is best known for his landscapes and paintings of figures and flowers. Renoir, who also enjoyed painting his children, also painted Claude, the youngest of his three sons (born in 1901 when the artist was 60), at his easel (1907) and dressed in a clown costume (1909). Dry mounted. Edges slightly soiled. Mounting remnants on verso (no show through). Overall, fine condition. Mounted by unknown individual. Not reviewed by us for conservation integrity. "As is" mounting purchase.

He signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

Beautifully framed work by the artist titled Mujer Sentada, 1971 Black and sepia Conté on paper. 25-5/8 x 19-3/4 inches visible. Signed and dated lower right: "Zuniga, 1971". Mat burning along the extreme sheet edges; pinholes in all 4 corners; mat and light staining, backboard staining. 1 inch split in matting fabric at bottom-right. Overall frame size 29 x 35. Framed by unknown individual. Costa Rican-born artist Zúñiga (1912-1998) was primarily a painter up until 1936, when he moved to Mexico and became an important figure in Mexico's political moderne style, with his life-sized stone and bronze sculptures of indigenous women with big proportions and tightly wrapped shawls. His art reflects a great respect for the cultures and people of Central America and is in the permanent collections of the Metropolitan Museum of Art and Museum of Modern Art in New York, the Museo de Arte Moderno in Mexico City and the Hirshborn Museum in Washington, D. C., among others.

The noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted by unknown individual: 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off? After it published I wont dare go down - some their skinned glad - will push a new kind of edged tool into my mid-riff cause he think I wrote it. Lots of moon-gazers think I write all the letter press that goes with my pictures. I [two words illegible] lots think you also are a drawer I am now pleading with the Cos - tan to get Clark's M.S.…"

Original Max portrait of Theodore Herzl Original Art Signed: "Max". Mixed medium on canvas, 1997, catalogue #36574. Signed at center left. 20x16 visible. Titled "Portrait of Theodore Herzl Ver.II #9". Fine condition. Peter Max, born in Berlin in 1937, spent most of his first ten years in Shanghai, and then traveled the world with his parents before immigrating to the US in 1953. Already an award-winning graphic artist and designer, Max burst on the cultural scene in the 1960s, first with his "psychedelic art" and then with a new concept, "cosmic art." Max, who works in many mediums, has been the official artist for the Grammy Awards, the New Orleans Jazz Festival, the Woodstock Music Festival and 5 Super Bowls. He has decorated a Boeing 747, a Dale Earnhardt racecar, and 265 murals on the US border. He has designed popular US and UN stamps, painted five US Presidents, the Beatles, the Rolling Stones, Mikhail Gorbachev, and the Dalai Lama. He painted individual portraits of 356 firefighters who lost their lives heroically on 9/11, presenting these portraits to the families, and then at President Bush's request designed 356 more for the firefighters' memorial. In 1896.

Signed autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18. To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer. In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints. -So from a certain point of view many of the Plates might be looked upon as a species of originals".

The artist signed this copy of his book with a flourish, creating a unique signature that incorporates an original drawing Book signed: "Dali/1975" (signature embellished to become original drawing) on half-title page beneath printed signature: "Dali", 456p, 5x7½, hardcover. Dali: Confessiones Inconfessables, by Salvador Dali and André Parinaud, Editorial Bruguera, S.A.: 1975. First Spanish edition. A flamboyant painter and sometimes writer, sculptor, and experimental filmmaker, Dalí (1904-1989) was the best known of the surrealist artists, using bizarre dream imagery to create unforgettable and unmistakable landscapes of his inner world. In 1929, Dalí met Gala Eluard, a staunch Surrealist who later became his wife. During the height of his fame, he was dismissed formally from the Surrealist group in 1934 for his fascination with Hitler. Responding, Dalí stated "Surrealism? I AM Surrealism!" During 1940 and 1941, he and Gala moved to America, and it was here that Dalí began concentrating on more accepted themes. In the United States he engaged in an extensive amount of self-promotion and absurd activities.

Deep-relief bust rendering of George Washington's head from an original cast by Gutzon Borglum, the sculptor who created the Mount Rushmore National Monument. Produced to help finance construction of the "shrine of democracy", this model displays Borglum's vision and craftsmanship, and was personally signed by him. Original art signed "Gutzon Borglum/Rushmore" on verso. 4¼x5x2 sculpture mounted on 8x9¼x¼ brown velvet-covered wood board. This is a deep-relief rendering of George Washington's head, from a mold made by the sculptor who created the Mount Rushmore National Monument. Executed before the monument itself, this model reflects Borglum's design in its planning stage. Though a small piece, it is filled with subtle details that breathe life and humanity - and dignity - into its subject. This patriotic piece of Americana is a fine exhibition of Borglum's skills. John Gutzon de la Mothe Borglum (1867-1941), born in St. Charles, Idaho, already famous for creating the great head of Lincoln in the U.S. Capitol rotunda, was commissioned to begin work on a "shrine of democracy" in 1927.

Artist Proof lithograph of the work titled "Settling In". Artist Proof Lithograph signed: “AP”, "Norman Rockwell". 18 x 14¾ visible. Norman Rockwell (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life". In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Fine condition. Framed to an overall size of 28¾ x 25½.

The painter sketches images of his eight-year-old daughter “dressing up” in a bustle and comments on his art and that of his son Lucien. Autograph Letter signed: "C. Pissarro", 1 page (front and verso), 10x8 which folds to 5x8. Pissarro writes from his home in Eragny to his niece in England of family matters and of his art. Specifically, he thanks her for sending his children clothing and draws two humorous sketches of Cocotte, his eight-year-old daughter, wearing a bustle from a front and side view. He also writes of the completion of his drawings created in the town of Rouen, a favorite locale of impressionist artists. His son Lucien was in Paris at the time of this letter, and he helped his father prepare for art shows from there. Pissarro states that he is forwarding his drawings from Rouen as well as an etching done by Lucien. Like a proud father, he continues to talk about Lucien's work specifically on a children's book which was giving the boy trouble when it came to drawing the animals and father jokes of the final product: "...it will be ready in 2 or 3 days.…"