NORMAN ROCKWELL Limited edition set of seven lithographs based on Rockwell paintings used to illustrate Benjamin Franklin's Poor Richard's Almanack. Each 25½x19½ lithograph in the set has been signed in pencil by Rockwell and is numbered. Lithograph Set signed: "Norman Rockwell" in pencil. Set of seven color lithographs, each 25½x19½. Each one is numbered (111 of 200) and signed by the artist. Loose sheets of handmade Velin d'Arches paper. Pulled at Atelier Mourlot, Paris. The 7 lithographs, based on Rockwell's paintings for the Heritage Press edition of Poor Richard's Almanack (1964) are titled: "Benjamin Franklin's Philadelphia", "The Drunkard", "Ben's Belles", "The Village Smithy", "Ye Olde Print Shoppe", "The Golden Age" and "The Royal Crown". The set is laid into a gilt-stamped, brown cloth clamshell box. Noted American artist/illustrator Norman Rockwell (1894-1978) is best known for his realistic and humorous scenes of small town life in America. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life". Rockwell also painted politically significant works, such as his cover illustration of Franklin D. read more...

THE NOTED WESTERN ARTIST WRITES OF HONG KONG AND DRAWS TWO CARTOONS ILLUSTRATING WHERE THE BEST SCOTCH IN CHINA CAN BE FOUND FREDERIC REMINGTON The noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted, not in the Gallery of History style, to 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. read more...

CHESTER GOULD He signs an original mechanical art for camera-ready set-up of a "Dick Tracy" comic strip published on Sunday, February 14, 1971 Original Art signed: "Chester/Gould," two 23x12½  sheets attached to form one 23x25 sheet. Original mechanical art for camera-ready set-up. "Dick Tracy" for Valentine's Day, Sunday, February 14, 1971. Tracy thinks he has cornered the Chameleon, one of the bizarre criminals created by Gould. In the "Crimestoppers Textbook" note at top right: "st. valentine's day massacre - seven gangsters gunned down in garage 42 years ago!" Chester Gould (1900-1985) introduced crime and violence into the comics with his creation of "Dick Tracy", the first non-humorous comic strip, which debuted in the "Detroit Mirror" on October 4, 1931. Gould drew the strip, which was praised for its realism, for 46 years, two months and 21 days before retiring on Christmas Day in 1977. Dick Tracy was a modern deductive investigator who cleverly for hunted clues, fingerprints and even footprints. read more...

ALFRED STIEGLITZ Signed autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18. To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer. In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints. read more...

MARY CASSATT In a handwritten letter to a friend in Paris, Cassatt explains that her art keeps her too busy to reply to most letters, but that she would welcome a visit in the Spring. ALS: "Mary Cassatt", 6 pages, 5¼x7, front and verso. Mesnil-Beaufresne, Mesnil-Theribus (Oise), France, no date. On imprinted stationery to Miss Mary Gardner Swift. Begins: "My Dear Mary". In full: "Of course I had your letter but I never thought of answering it. If you knew what my life was you would [five words illegible] than in the [illegible] If you would love to write to me anything that you think I would I shall always be glad to know [two words illegible] I am a very busy woman. Most of my correspondence is done in French through my [illegible] Is French, she has been with us 43 years Ever since my Mothers (sic) death thirty years ago I have been alone, carrying on this place & working here. Ah my art. Of course I have been better known as an artist in France [illegible] is a member of the family In the meantime I send you my kindest regards & hope that next Spring if I am well enough you will come out and see me I had my three nephews and one niece here this last summer. read more...

FRANK LLOYD WRIGHT CALLS HIS WORK "THE ONLY TRULY AMERICAN EXPRESSION IN THE ART OF ARCHITECTURE"   FRANK LLOYD WRIGHT. Extremely rare Partly Printed DS: "Frank Lloyd Wright Architect", 1p, 5½x8½. No date, no place. An application for information to be published in a directory. Headed: "Business or Professional Record". In the upper portion, which asks for "data to enable the editor to do complete justice to your business or professional record", Wright has written, in full: "Work characterized as 'New School of Middle West' in America -- Abroad, as the architecture of the 'Prairie Dimension' -- the only truly American expression in the art of Architecture. Many foreign publications of distinction publish the work and European architects manifest increasing interest in it." Wright has also written "None" twice in columns asking for information on being an officer or director of a corporation and the office or position occupied. At the bottom of the form is a line that reads "Please enclose your business card or other printed matter in order that spelling of names may be verified. read more...

WESTERN ARTISTS AND WRITERS: OLAF WIEGHORST, EARL EDER, JOE BOEHLER, STAN LYNDE, J. K. RALSTON and MANY OTHERS 34x35½ buckskin, signed by an impressive collection of Western artists in the 1970s, triple matted and custom framed for display. Some of the artists have added drawings in a Native American theme. Many signers have strong connections with the State of Montana and the Blackfoot Nation. Original Art signed: Buckskin bearing nearly 100 signatures. An unknown artist has drawn a large teepee in the center of the buckskin. Many of the signers have embellished their autograph with Western-themed drawings (teepees, horse heads, cattle brands, etc.). Some have dated their signatures, with the range of dates extending from 1970 to 1977. Many of the signers have a close connection with the state of Montana. The signers include the following: OLAF WIEGHORST (1899-1988), born in Jutland, Denmark, is best known for his poignant portrayals of the American West. Wieghorst's paintings have sold for more than $450,000. and his signed Lithographs for up to $12,000. His most famous work, Native Madonna, was published as a lithograph in 1972. Sioux painter and sculptor EARL EDER (b. read more...

GRANDMA MOSES In the book Grandma Moses: American Primitive, Moses has drawn a country scene on the flyleaf, and signed the book opposite the title page, inscribing it to columnist Leonard Lyons. Original Art in an inscribed and signed book: "April 27, 1948./To Mr. Leonard Lyons./with best regards./Grandma Moses." beneath printed photograph facing the title page, 146 pages, 8½x11¼, hardcover. Grandma Moses American Primitive, Doubleday & Company, Inc., Garden City, New York: 1947. From the title page: "Forty Paintings with Comments/By Grandma Moses - Together with/Her Life's History/Introduction by Louis Bromfield/Edited by Otto Kallir". 87-YEARS-OLD AT THE TIME, GRANDMA MOSES HAS DRAWN A COUNTRY SCENE IN INK ON THE FIRST BLANK FLYLEAF. Self-taught, ANNA MARY ROBERTSON "GRANDMA" MOSES (1860-1961) and her paintings first came to public attention in 1940, when she was 80 years old, with a one-woman show, "What A Farm Wife Painted", in OTTO KALLIR's Galerie St. Etienne in New York City. The Galerie St. Etienne officially represented Grandma Moses and has represented her estate since her death. read more...

CAMILLE PISSARRO The painter signs a richly detailed, 4-page handwritten letter to his wife Julie (1892), discussing business and family affairs, and expressing frustration at mail delays Autograph Letter signed: "C. Pissarro", 4 pages (front and verso), 4½x7. Eragny (France), 1892 December 27. To"My dear Julie". In French, translated in full: "One cannot rely on the punctuality of the mail these days; would you believe that your letter to Lise only arrived here yesterday, thus too late to be communicated in time; I hope that you were nevertheless on time at your aunt's. Something else even more extraordinary, I received yesterday the letter that you sent to Lucien on Saturday, the imbeciles at the Hotel who know my name, even though Lucien is staying with them, still sent the letter to me; I thought it would be useless to send it back because it would have come back to me, and besides it was too late. The 2 p.m. train just came by, nobody. Lucien wrote that he would perhaps miss it and would be on the 3:45. I enclose herewith a letter from Mrs. Mirbeau that must be answered. read more...