Saturday Evening Post illustrator Norman Rockwell drew an original blue ink picture of a dog on this typed letter, which he signed in 1970. Interestingly, this letter, on his personalized stationery, is an apology that he can't send the recipient a sketch or drawing! With original mailing envelope. Original art on typed letter signed "Norman/Rockwell" in blue ink. 1 page, 6x7¾, on Rockwell's personalized stationery. With 4¾x1½ blue ink drawing near bottom edge. March 10, 1970. In full: "Dear Lachie MacLachlan: Thank you for your letter and for all the nice things you said about my paintings. I am really sorry but I just don't have any sketches or drawings that I could send you, so I am returning your check. Again, than you for your interest in writing to me. Cordially,". Lightly toned and creased. Paper clip impressions near top and bottom edges, which touch drawing but not signature. Light ink smudges in body of letter. Rust stain near bottom edge. Lightly discolored on verso (no show-through). Folded in half and unfolded. Otherwise in fine condition. Accompanied by: Unsigned envelope from Rockwell's personalized stationery. 6¼x4. Postmarked Stockbridge, Massachusetts, March 11, 1970. Addressed Mr. Lachie MacLachlan, Winston-Salem, North Carolina.

An original signed oil painting by the artist, titled "Three Soldiers on a Bike". Oil Painting on Canvas Signed: "Charles Bragg" in lower right. 19½ x 17½. Titled “Three Soldiers on a Bike”. Painter, sculptor, and author Charles Bragg (1931-2017) was a social satire artist. His art has been exhibited in museums and galleries, commissioned by Playboy, and documented in a PBS program. He won a Gold Medal from the National Society of Illustrators and an Award of Merit from the Art Directors Guild of New York. His publications include Charles Bragg on Medicine (1984), Charles Bragg: The Works! A Retrospective (1999), and Asylum Earth (2013). Fine condition. Framed to an overall size of 26¼ x 24¼.

The noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted by unknown individual: 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off? After it published I wont dare go down - some their skinned glad - will push a new kind of edged tool into my mid-riff cause he think I wrote it. Lots of moon-gazers think I write all the letter press that goes with my pictures. I [two words illegible] lots think you also are a drawer I am now pleading with the Cos - tan to get Clark's M.S.…"

Visually striking 9¾x12½ print of a swan in flight, signed by the French painter, affixed to16x20 card stock Printed Art signed: "G Braque", 9¾x12½ print affixed to a 16x20 piece of card stock. French painter Georges Braque (1882-1963) painted everything from landscapes to still-lifes, his style evolving from Impressionism to Fauvism to Cubism. Braque and Picasso were co-developers of the Cubist style. By the time of his death, Braque was considered one of the great elder statesmen of the art world. Additionally. he is credited with producing the first papier collé picture in 1912. Fine condition.

Ten months after being dismissed from teaching for using a male model in a women's drawing class, the artist signed this handwritten letter explaining that requests for instructional casts must be addressed to the director who fired him Autograph Letter Signed: "Thomas Eakins", 1¾ pages, 4½x8. Philadelphia, 1886 December 7. To Mr. Frank M. Cowles. The letter is placed on a smaller frame with a hinge, allowing for a plaque featuring the letter's full message in a plaque behind it. In Full: "Those casts of which you speak were made from my dissections at the Pennsylvania Acad. Of the Fine Arts while I was a professor there. I am no longer connected with the institution, so I would advise you to address Mr. Edward H. Coates who is chairman of the committee on Instruction. His address is 116 Chestnut St. Philadelphia. The old arrangement was that they should be furnished to any art student or art institution at cost price which varies somewhat. My remembrance is that the whole set came to about 11 or 12 dollars. My delay in answering your note was caused by a seeming possibility that I should have seen Mr. Coates myself, which however I did not find time to do.…"

He signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

The artist signed this copy of his book with a flourish, creating a unique signature that incorporates an original drawing Book signed: "Dali/1975" (signature embellished to become original drawing) on half-title page beneath printed signature: "Dali", 456p, 5x7½, hardcover. Dali: Confessiones Inconfessables, by Salvador Dali and André Parinaud, Editorial Bruguera, S.A.: 1975. First Spanish edition. A flamboyant painter and sometimes writer, sculptor, and experimental filmmaker, Dalí (1904-1989) was the best known of the surrealist artists, using bizarre dream imagery to create unforgettable and unmistakable landscapes of his inner world. In 1929, Dalí met Gala Eluard, a staunch Surrealist who later became his wife. During the height of his fame, he was dismissed formally from the Surrealist group in 1934 for his fascination with Hitler. Responding, Dalí stated "Surrealism? I AM Surrealism!" During 1940 and 1941, he and Gala moved to America, and it was here that Dalí began concentrating on more accepted themes. In the United States he engaged in an extensive amount of self-promotion and absurd activities.

Original Max portrait of Theodore Herzl Original Art Signed: "Max". Mixed medium on canvas, 1997, catalogue #36574. Signed at center left. 20x16 visible. Titled "Portrait of Theodore Herzl Ver.II #9". Fine condition. Peter Max, born in Berlin in 1937, spent most of his first ten years in Shanghai, and then traveled the world with his parents before immigrating to the US in 1953. Already an award-winning graphic artist and designer, Max burst on the cultural scene in the 1960s, first with his "psychedelic art" and then with a new concept, "cosmic art." Max, who works in many mediums, has been the official artist for the Grammy Awards, the New Orleans Jazz Festival, the Woodstock Music Festival and 5 Super Bowls. He has decorated a Boeing 747, a Dale Earnhardt racecar, and 265 murals on the US border. He has designed popular US and UN stamps, painted five US Presidents, the Beatles, the Rolling Stones, Mikhail Gorbachev, and the Dalai Lama. He painted individual portraits of 356 firefighters who lost their lives heroically on 9/11, presenting these portraits to the families, and then at President Bush's request designed 356 more for the firefighters' memorial. In 1896.

The sports cartoonists who championed “Dem Bums” Original Pencil, Ink and Watercolor inscribed and signed “For Joanne...with love and many thanks from Willard Mullin 1977”. 9x13 visible. Illustration depicts the famous "Brooklyn Bum" by sports artist Willard Mullin. Willard Mullin (1902 - 1978) was an American sports cartoonist. He is well-known for his creation of the "Brooklyn Bum", a representation of the Brooklyn Dodgers baseball team, which was based on Emmett Kelly's "Weary Willie" hobo persona. He wrote cartoons for several publications including the New York World-Telegram and Sun. This piece comes directly from a family member whose mother was a friend of Mullin and lived in the same condominiums in Florida during the 1970's. As a birthday gift, a hand painted tie was given to Mullin, and in return he gave this illustration. This is one of the nicest depictions of the "Brooklyn Bum" by Willard Mullin. Fine condition. Framed to an overall size of 22½ x 30½.

1956 French-language copy of Les Grands Peintres: Fernand Léger, a b/w photo book of French painter Fernand Léger's work. Signed by Léger and by French artist Marc Chagall in 1958. Original art signed "Marc/Chagall/1958" in black ink on cover, with a bust profile sketch of a man. Also signed "a Mr. Eisner/eu souvenir di/F Leger/N. Leger/16 IV 1958" in blue ink on flyleaf. Pencil notations on paste down in unknown hand. B/w, 34 pages,  7x10½, with dustcover. Copy of Les Grands Peintres: Fernand Léger. French-language book with text by André Verdet and photos by Robert Doisneau and Gilles Ehrmann. Published by Éditions René Kister of Geneva. ©1956 Éditions René Kister of Geneva. Softcover.   CHAGALL (1887-1985, born Mark Zakharovich Shagal in Vitebsk, Belorussia, Russian Empire, now Belarus) considered one of the most original and eminent figures in 20th century art, is particularly well-known for his stained glass windows. Best known for the Jerusalem Windows and Peace for the United Nations (1964), his last monumental work in the medium was stained glass windows for chapel of Le Saillant in Corrèze.

Signed autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18. To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer. In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints. -So from a certain point of view many of the Plates might be looked upon as a species of originals".

Matisse signs a typed New Year's greeting for 1953 on verso of this 6x4 printed version of his self-referential painting, The Painter and His Model Printed Art signed in Ink: "H. Matisse" on verso, 6x4. His typed note in French above his signature, translated in full: "My thanks and my best/ wishes for 1953". The printed card features a reproduction of his painting, The Painter and His Model, from the Museum of Modern Art, Paris. A short version of the title, simply The Painter, is printed on this card. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by Post-Impressionism, revolted against Pointillism and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature. In The Painter and His Model (1917) Matisse also depicts himself in his Paris studio painting in another well-known work, Laurette in a Green Robe (1916). Lightly toned. Otherwise, fine condition.