PIERRE AUGUSTE RENOIR Unsigned aquatint "Tourne à Gauche" portrait of Pierre Auguste Renoir's son, Claude Renoir, circa 1904. Aquatint, unsigned. B/w, 11x13¼ overall, image 9¾x12 (two surfaces). Aquatint "Tourne à Gauche" portrait of his son, Claude Renoir, circa 1904. Facsimile of Renoir's signature, produced by the same process, appears below the image. Pierre Auguste Renoir (1841-1919), a leader among the Impressionists, is best known for his landscapes and paintings of figures and flowers. Renoir, who also enjoyed painting his children, also painted Claude, the youngest of his three sons (born in 1901 when the artist was 60), at his easel (1907) and dressed in a clown costume (1909). Dry mounted. Edges slightly soiled. Mounting remnants on verso (no show through). Overall, fine condition. Mounted, not in Gallery of History style.Not reviewed by us for conservation integrity. "As is" mounting purchase.

HENRI MATISSE He signs this 10¼x14 color print, Abstract Figure (Blue Series) Printed Art signed in Pencil: "H.M." Color, 10¼x14. The print is titled Abstract Figure (Blue Series). From Proof, Pre Publication Edition, Verve. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by Post-Impressionism, revolted against Pointillism and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature. Slightly soiled at blank left edge. Otherwise, fine condition.

THE NOTED WESTERN ARTIST WRITES OF HONG KONG AND DRAWS TWO CARTOONS ILLUSTRATING WHERE THE BEST SCOTCH IN CHINA CAN BE FOUND FREDERIC REMINGTON The noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted, not in the Gallery of History style, to 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime.

WESTERN ARTISTS AND WRITERS: OLAF WIEGHORST, EARL EDER, JOE BOEHLER, STAN LYNDE, J. K. RALSTON and MANY OTHERS 34x35½ buckskin, signed by an impressive collection of Western artists in the 1970s, triple matted and custom framed for display. Some of the artists have added drawings in a Native American theme. Many signers have strong connections with the State of Montana and the Blackfoot Nation. Original Art signed: Buckskin bearing nearly 100 signatures. An unknown artist has drawn a large teepee in the center of the buckskin. Many of the signers have embellished their autograph with Western-themed drawings (teepees, horse heads, cattle brands, etc.). Some have dated their signatures, with the range of dates extending from 1970 to 1977. Many of the signers have a close connection with the state of Montana. The signers include the following: OLAF WIEGHORST (1899-1988), born in Jutland, Denmark, is best known for his poignant portrayals of the American West. Wieghorst's paintings have sold for more than $450,000. and his signed Lithographs for up to $12,000. His most famous work, Native Madonna, was published as a lithograph in 1972. Sioux painter and sculptor EARL EDER (b.

FRANK LLOYD WRIGHT CALLS HIS WORK "THE ONLY TRULY AMERICAN EXPRESSION IN THE ART OF ARCHITECTURE"   FRANK LLOYD WRIGHT.Extremely rare Partly Printed DS: "Frank Lloyd Wright Architect", 1p, 5½x8½. No date, no place. An application for information to be published in a directory.Headed: "Business or Professional Record". In the upper portion, which asks for "data to enable the editor to do complete justice to your business or professional record", Wright has written, in full: "Work characterized as 'New School of Middle West' in America -- Abroad, as the architecture of the 'Prairie Dimension' -- the only truly American expression in the art of Architecture. Many foreign publications of distinction publish the work and European architects manifest increasing interest in it." Wright has also written "None" twice in columns asking for information on being an officer or director of a corporation and the office or position occupied. At the bottom of the form is a line that reads "Please enclose your business card or other printed matter in order that spelling of names may be verified." Beneath it, Wright has added "(Never had one!)".

CHESTER GOULD He signs an original mechanical art for camera-ready set-up of a "Dick Tracy" comic strip published on Sunday, February 14, 1971 Original Art signed: "Chester/Gould," two 23x12½ sheets attached to form one 23x25 sheet. Original mechanical art for camera-ready set-up. "Dick Tracy" for Valentine's Day, Sunday, February 14, 1971. Tracy thinks he has cornered the Chameleon, one of the bizarre criminals created by Gould. In the "Crimestoppers Textbook" note at top right: "st. valentine's day massacre - seven gangsters gunned down in garage 42 years ago!"Chester Gould (1900-1985) introduced crime and violence into the comics with his creation of "Dick Tracy", the first non-humorous comic strip, which debuted in the "Detroit Mirror" on October 4, 1931. Gould drew the strip, which was praised for its realism, for 46 years, two months and 21 days before retiring on Christmas Day in 1977. Dick Tracy was a modern deductive investigator who cleverly for hunted clues, fingerprints and even footprints.

NORMAN ROCKWELL This print of the artist's illustration "The Lobster Man" is signed by him in the bottom-right corner Lithograph Signed: "Norman Rockwell". Actual image 18x23. Color. "The Lobster Man". NORMAN ROCKWELL (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. Hepainted over 300 covers for the The Saturday Evening Post (1916-1965) after beginning his career at age 18 as an illustrator for Boy's Life. In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Eight-inch tear along back of frame in paper backing. Frame side panel on right side open from lack of adhesive. Thin side panels at all edges have detached (not effecting frame, signature or lithograph).

HENRI TOULOUSE-LAUTREC He signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

ALFRED STIEGLITZ Signed autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18.To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer.In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints.