The renowned artist sends a request for a Larousse volume. Autograph Letter signed: "H. Matisse". 1 page, 6x9, Vence, December 21, 1948. Translated in full: “Dear Mr. Goldschmit / Will you please give to Mr. Gerard Matisse one of the volumes of the Larousse for which I have subscribed. I beg you to accept the expression of my distinguished sentiments.” Matisse wrote this note in December 1948 from his villa in Vence on the Riviera, to request that Gerard Matisse be presented with a “Laroussse”. The Pierre Larousse volumes, to which he refers, were a reprint of one of his major works. Horizontal crease at center, otherwise fine condition. Framed to an overall size of 31 x 21¾. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by post-Impressionism, revolted against Pointillism, and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature.

An original signed oil painting by the artist, titled "The Sixth Day". Oil Painting on Canvas Signed: "Charles Bragg" in lower right. Circa 2002. 15¾ x 19¾. Titled “The Sixth Day”. Painter, sculptor, and author Charles Bragg (1931-2017) was a social satire artist. His art has been exhibited in museums and galleries, commissioned by Playboy, and documented in a PBS program. He won a Gold Medal from the National Society of Illustrators and an Award of Merit from the Art Directors Guild of New York. His publications include Charles Bragg on Medicine (1984), Charles Bragg: The Works! A Retrospective (1999), and Asylum Earth (2013). Fine condition. Framed to an overall size of 22 x 26. Framing exhibits wearing at corners.

Deep-relief bust rendering of George Washington's head from an original cast by Gutzon Borglum, the sculptor who created the Mount Rushmore National Monument. Produced to help finance construction of the "shrine of democracy", this model displays Borglum's vision and craftsmanship, and was personally signed by him. Original art signed "Gutzon Borglum/Rushmore" on verso. 4¼x5x2 sculpture mounted on 8x9¼x¼ brown velvet-covered wood board. This is a deep-relief rendering of George Washington's head, from a mold made by the sculptor who created the Mount Rushmore National Monument. Executed before the monument itself, this model reflects Borglum's design in its planning stage. Though a small piece, it is filled with subtle details that breathe life and humanity - and dignity - into its subject. This patriotic piece of Americana is a fine exhibition of Borglum's skills. John Gutzon de la Mothe Borglum (1867-1941), born in St. Charles, Idaho, already famous for creating the great head of Lincoln in the U.S. Capitol rotunda, was commissioned to begin work on a "shrine of democracy" in 1927.

Ten months after being dismissed from teaching for using a male model in a women's drawing class, the artist signed this handwritten letter explaining that requests for instructional casts must be addressed to the director who fired him Autograph Letter Signed: "Thomas Eakins", 1¾ pages, 4½x8. Philadelphia, 1886 December 7. To Mr. Frank M. Cowles. The letter is placed on a smaller frame with a hinge, allowing for a plaque featuring the letter's full message in a plaque behind it. In Full: "Those casts of which you speak were made from my dissections at the Pennsylvania Acad. Of the Fine Arts while I was a professor there. I am no longer connected with the institution, so I would advise you to address Mr. Edward H. Coates who is chairman of the committee on Instruction. His address is 116 Chestnut St. Philadelphia. The old arrangement was that they should be furnished to any art student or art institution at cost price which varies somewhat. My remembrance is that the whole set came to about 11 or 12 dollars. My delay in answering your note was caused by a seeming possibility that I should have seen Mr. Coates myself, which however I did not find time to do.…"

Limited edition lithograph of the artist's work titled "At the Barber" # 1/200 Limited-edition Lithograph signed: "Norman/Rockwell". 1/200, 19 x 30¼ visible. Norman Rockwell (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life". In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Lightly creased. Lightly soiled at lower blank margin. Worn at left edge. Fine condition. Framed by unknown individual, 29 x 35½.

In a handwritten letter to a friend in Paris, Cassatt explains that her art keeps her too busy to reply to most letters, but that she would welcome a visit in the Spring. ALS: "Mary Cassatt", 6 pages, 5¼x7, front and verso. Mesnil-Beaufresne, Mesnil-Theribus (Oise), France, no date. On imprinted stationery to Miss Mary Gardner Swift. Begins: "My Dear Mary". In full: "Of course I had your letter but I never thought of answering it. If you knew what my life was you would [five words illegible] than in the [illegible] If you would love to write to me anything that you think I would I shall always be glad to know [two words illegible] I am a very busy woman. Most of my correspondence is done in French through my [illegible] Is French, she has been with us 43 years Ever since my Mothers (sic) death thirty years ago I have been alone, carrying on this place & working here. Ah my art. Of course I have been better known as an artist in France [illegible] is a member of the family In the meantime I send you my kindest regards & hope that next Spring if I am well enough you will come out and see me I had my three nephews and one niece here this last summer. Ellen Mary has a daughter born Sept 9th.…"

The sports cartoonists who championed “Dem Bums” Original Pencil, Ink and Watercolor inscribed and signed “For Joanne...with love and many thanks from Willard Mullin 1977”. 9x13 visible. Illustration depicts the famous "Brooklyn Bum" by sports artist Willard Mullin. Willard Mullin (1902 - 1978) was an American sports cartoonist. He is well-known for his creation of the "Brooklyn Bum", a representation of the Brooklyn Dodgers baseball team, which was based on Emmett Kelly's "Weary Willie" hobo persona. He wrote cartoons for several publications including the New York World-Telegram and Sun. This piece comes directly from a family member whose mother was a friend of Mullin and lived in the same condominiums in Florida during the 1970's. As a birthday gift, a hand painted tie was given to Mullin, and in return he gave this illustration. This is one of the nicest depictions of the "Brooklyn Bum" by Willard Mullin. Fine condition. Framed to an overall size of 22½ x 30½.

The artist signed this copy of his book with a flourish, creating a unique signature that incorporates an original drawing Book signed: "Dali/1975" (signature embellished to become original drawing) on half-title page beneath printed signature: "Dali", 456p, 5x7½, hardcover. Dali: Confessiones Inconfessables, by Salvador Dali and André Parinaud, Editorial Bruguera, S.A.: 1975. First Spanish edition. A flamboyant painter and sometimes writer, sculptor, and experimental filmmaker, Dalí (1904-1989) was the best known of the surrealist artists, using bizarre dream imagery to create unforgettable and unmistakable landscapes of his inner world. In 1929, Dalí met Gala Eluard, a staunch Surrealist who later became his wife. During the height of his fame, he was dismissed formally from the Surrealist group in 1934 for his fascination with Hitler. Responding, Dalí stated "Surrealism? I AM Surrealism!" During 1940 and 1941, he and Gala moved to America, and it was here that Dalí began concentrating on more accepted themes. In the United States he engaged in an extensive amount of self-promotion and absurd activities.

The noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted by unknown individual: 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off? After it published I wont dare go down - some their skinned glad - will push a new kind of edged tool into my mid-riff cause he think I wrote it. Lots of moon-gazers think I write all the letter press that goes with my pictures. I [two words illegible] lots think you also are a drawer I am now pleading with the Cos - tan to get Clark's M.S.…"

1987 Lenny Dykstra personally owned, original artwork by LeRoy Neiman Original Artwork titled "Slugger" and signed "LeRoy Nieman '87" 17 x 23. This distinctive work from the most famous name in sports art was apparently either commissioned by or gifted to Dykstra by Neiman and captures "Nails" in the distinctive pinstriped uniform of that glorious World Championship era. The painting is titled "The Slugger" and autographed by Neiman in pencil at bottom right.  LeRoy Neiman (1921-2012) is best known for his brilliantly colored, energetic illustrations. Based in New York City, he is recognized as the consummate sports artist of the 20th century. In 1972 he was named the official artist for the Olympic Games. He was designated the outstanding sports artist in America by the Amateur Athletic Union (1976) and was given the Olympic Artist of the Century Award in 1979, and Sport Artist of the Year Award in 2007. Len "Nails" Dykstra played outfield for the New York Mets from 1985 to 1989, participating in the World Championship. With the Philadelphia Phillies (1989-1996) he reached the World Series again, this time in a losing effort against the Toronto Blue Jays.

Signed autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18. To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer. In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints. -So from a certain point of view many of the Plates might be looked upon as a species of originals".

: "Auguste Rodin", 2¼p, 6½x8½. 25 Via Gregoriana, Rome, 1915 February 5. To Mrs. Mary W. Harriman. In French, with translation. In full: "The letter which I received in Rome, your letter, is very useful to give me joy, and to appease my worries. I know thus that the bust has arrived with Miss Greysby, who took it and conducted it with the greatest care. Miss Greysby was a member of the committee of the exhibition at the Duke of Westminster's, and never lost sight of it, when I was away for one month. It is a permission of Providence, that this bust carried to London to His Grace the duke, it was protected by the Museum of the Queen; Kensington where it was exhibited, among the works that I had given to England, until the day it left the bust at Kensington, has been regarded by the artists and the writers. At the Duke's residence a month before, it was in the approbation of Her Majesty the Queen, the Queen Alexandra and the dowager Queen of Russia. They have been benevolent graces for the bust and for my sculptures. Thus your letter has gratified me. Your solicitude so great in Paris so that, the bust of your dear and illustrious husband, be also to your liking, to your memory, had perfectly succeeded.…"