HENRI TOULOUSE-LAUTRECHe signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

HENRI de TOULOUSE-LAUTREC Signed handwritten 1893 letter in French to Gustave Geffroy, with whom he would co-author a book the following year ALS: "T-Lautrec" in French, 1 page, 4¼x5¼. Monday. No place, no date. On verso of sheet imprinted "Service Telegraphique/Telegram",postmarked Paris, 1893 October 23.To Gustave Geffroy, Paris.In full: "Forgive me for being late to meet you, but I would like to speak with you tomorrow Tuesday at 6. I will come to see you at The Justice. I hope I have not lost the opportunity meet with you." Congenitally stunted French painter and printmakerHENRI de TOULOUSE-LAUTREC (1864-1901) is renowned for his posters, lithographs and book illustrations of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. Gustave Geffroy (1855-1926) was an art critic who wrote for Clemenceau's "La Justice". He was the subject of artist Paul Cezanne's painting The Unfinished Portrait of Geffroy (1896) which hangs in the Louvre today.

CAMILLE PISSARROThe painter signs a richly detailed, 4-page handwritten letter to his wife Julie (1892), discussing business and family affairs, and expressing frustration at mail delays Autograph Letter signed: "C. Pissarro", 4 pages (front and verso), 4½x7. Eragny (France), 1892 December 27. To"My dear Julie". In French, translated in full: "One cannot rely on the punctuality of the mail these days; would you believe that your letter to Lise only arrived here yesterday, thus too late to be communicated in time; I hope that you were nevertheless on time at your aunt's. Something else even more extraordinary, I received yesterday the letter that you sent to Lucien on Saturday, the imbeciles at the Hotel who know my name, even though Lucien is staying with them, still sent the letter to me; I thought it would be useless to send it back because it would have come back to me, and besides it was too late. The 2 p.m. train just came by, nobody. Lucien wrote that he would perhaps miss it and would be on the 3:45. I enclose herewith a letter from Mrs. Mirbeau that must be answered.

HENRI MATISSEHe signs this 10¼x14 color print, Abstract Figure (Blue Series) Printed Art signed in Pencil: "H.M." Color, 10¼x14. The print is titled Abstract Figure (Blue Series). From Proof, Pre Publication Edition, Verve. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by Post-Impressionism, revolted against Pointillism and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature. Slightly soiled at blank left edge. Otherwise, fine condition.

FRANK LLOYD WRIGHT CALLS HIS WORK "THE ONLY TRULY AMERICAN EXPRESSION IN THE ART OF ARCHITECTURE"   FRANK LLOYD WRIGHT.Extremely rare Partly Printed DS: "Frank Lloyd Wright Architect", 1p, 5½x8½. No date, no place. An application for information to be published in a directory.Headed: "Business or Professional Record". In the upper portion, which asks for "data to enable the editor to do complete justice to your business or professional record", Wright has written, in full: "Work characterized as 'New School of Middle West' in America -- Abroad, as the architecture of the 'Prairie Dimension' -- the only truly American expression in the art of Architecture. Many foreign publications of distinction publish the work and European architects manifest increasing interest in it." Wright has also written "None" twice in columns asking for information on being an officer or director of a corporation and the office or position occupied. At the bottom of the form is a line that reads "Please enclose your business card or other printed matter in order that spelling of names may be verified." Beneath it, Wright has added "(Never had one!)".

PIERRE AUGUSTE RENOIR Unsigned aquatint "Tourne à Gauche" portrait of Pierre Auguste Renoir's son, Claude Renoir, circa 1904. Aquatint, unsigned. B/w, 11x13¼ overall, image 9¾x12 (two surfaces). Aquatint "Tourne à Gauche" portrait of his son, Claude Renoir, circa 1904. Facsimile of Renoir's signature, produced by the same process, appears below the image. Pierre Auguste Renoir (1841-1919), a leader among the Impressionists, is best known for his landscapes and paintings of figures and flowers. Renoir, who also enjoyed painting his children, also painted Claude, the youngest of his three sons (born in 1901 when the artist was 60), at his easel (1907) and dressed in a clown costume (1909). Dry mounted. Edges slightly soiled. Mounting remnants on verso (no show through). Overall, fine condition. Mounted, not in Gallery of History style.Not reviewed by us for conservation integrity. "As is" mounting purchase.

NORMAN ROCKWELL Limited edition set of seven lithographs based on Rockwell paintings used to illustrate Benjamin Franklin's Poor Richard's Almanack. Each 25½x19½ lithograph in the set has been signed in pencil by Rockwell and is numbered. Lithograph Set signed: "Norman Rockwell" in pencil. Set of seven color lithographs, each 25½x19½. Each one is numbered (111 of 200) and signed by the artist. Loose sheets of handmade Velin d'Arches paper. Pulled at Atelier Mourlot, Paris. The 7 lithographs, based on Rockwell's paintings for the Heritage Press edition of Poor Richard's Almanack (1964) are titled: "Benjamin Franklin's Philadelphia", "The Drunkard", "Ben's Belles", "The Village Smithy", "Ye Olde Print Shoppe", "The Golden Age" and "The Royal Crown". The set is laid into a gilt-stamped, brown cloth clamshell box. Noted American artist/illustrator Norman Rockwell (1894-1978) is best known for his realistic and humorous scenes of small town life in America. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life".

ALFRED STIEGLITZSigned autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18.To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer.In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints.

NORMAN ROCKWELLSaturday Evening Post illustrator Norman Rockwell drew an original blue ink picture of a dog on this typed letter, which he signed in 1970. Interestingly, this letter, on his personalized stationery, is an apology that he can't send the recipient a sketch or drawing! With original mailing envelope. Original art on typed letter signed "Norman/Rockwell" in blue ink. 1 page, 6x7¾, on Rockwell's personalized stationery. With 4¾x1½ blue ink drawing near bottom edge. March 10, 1970. In full: "Dear Lachie MacLachlan: Thank you for your letter and for all the nice things you said about my paintings. I am really sorry but I just don't have any sketches or drawings that I could send you, so I am returning your check. Again, than you for your interest in writing to me. Cordially,". Lightly toned and creased. Paper clip impressions near top and bottom edges, which touch drawing but not signature. Light ink smudges in body of letter. Rust stain near bottom edge. Lightly discolored on verso (no show-through). Folded in half and unfolded. Otherwise in fine condition.